Conversations With Mother

Working against an ambitious timeline, TALISMAN was commissioned to create the key art and campaign design for Conversations With Mother, an intimate new comedy by Matthew Lombardo.
The production pairs Tony-winning Matt Doyle with screen veteran Caroline Aaron in a deliciously real, uncompromisingly witty family face-off directed by Noah Himmelstein.
We knew this wasn’t your typical mother-son dramedy: in a season crowded with new works, and with a tricky title to boot, the visual approach needed to play against title and immediately answer questions of tone.
The campaign ultimately serves both as a portal into the world of the play that the audience is about to discover—smashing expectations of what an archetypal “mother” might say, or how she might behave—but also serves as a window into Matthew’s creative world, and his personal identity as a great comic writer.
Setting the stage for a duo-driven, powerhouse evening of two stars reaching full expression of their creative facilities and gifts became TALISMAN’s primary goal: immediately positioning the play as a white-hot ticket for an urgent, vibrant, and deeply personal play.
If you can talk to your own mother for free, why pay a premium for a ticket? In order to reveal Conversations with Mother, audiences needed to see the production’s two stars together from the first introduction on page or screen. In a chemistry-first, high-style visual world, we had to bring our duo together no matter the timeline to deliver the campaign.
Our challenge? Shoot the stars separately (because, scheduling), then make magic in post. TALISMAN coordinated bi-city shoots in Georgia and New York City over a single weekend. But here’s the real tea: we turned opposing quotation marks into a heart—because sometimes fighting with mom is just love in disguise. Custom hand lettering, unique typographic styling, and a dynamic campaign rollout was planned in collaboration with Serino Coyne.
Art + Entertainment
Identity, Campaign, Illustration, Art Direction, Motion, Key Art, Positioning
Jacob Kemp
Silvia Diffenderfer
Betsy Hogg
Anna O’Donoghue
Liana Pavane
Lena Rose
Natalie West
Matthew Lombardo, Playwright
Noah Himmelstein, Director
Bryan McCaffrey, Producer
Caroline Aaron, Actor
Matt Doyle, Actor
Photography, Bek Andersen
Finishing, Simon Raible
Hair + Makeup, Brenna Drury, Madison McLain
Serino Coyne
Chris Boneau, Publicist
Greg Corradetti, President
Anthony Catala, VP Creative Strategy
Jay Cooper, Creative Director
Kevin Hirst, Group Director
Julia Garcia, Talent Relations Manager
Peter Gunther, Associate Creative Director
Connor MacDowell, Account Executive
Jamison Scott, Partner
Brandli Yanniello, Sales + Marketing
Showtown NYC
Nathan Gehan, Founder/CEO
Jessica Morrow, Associate General Manager

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The campaign required keen attention to fight against title as it pursued its initial production in New York City. Our aim was to focus singularly on the bold, brassy, and powerful language used by our two characters. Design collateral and motion graphics aimed to create a terminology of grawlix to position the play as kinetic, ever-changing, and impulsive.



We turned opposing quotation marks into a heart—because sometimes fighting with mom is just love in disguise.



